The Jewish Pope
The Jewish Pope, 2016 (15')
Judd Greenstein’s concert music includes works for a wide variety of performers, from soloists and chamber groups to orchestras, as well as a substantial body of choral music. A passionate advocate for the independent new music community in New York and beyond, much of Judd’s work is written for the virtuosic performers who make up that community, and is tailored to their specific talents and abilities.
The Jewish Pope, 2016 (15')
Nothing New, 2015 (5')
City Boy, 2010 (12')
Change, 2009 (13')
Sing Along, 2006 (6')
Free Speech Zone, 2004 (24')
Folk Music, 2004 (10')
Rock Me Samuels, 2004 (8')
The Seeming Disorder of the Old City, 2013 (15'), for flute, clarinet, violin, cello, piano, and percussion
A Serious Man, 2013 (15'), for violin, cello, and piano
Octet 1979, 2011 (9'), for string quartet with 4 vintage synthesizers or electronic track
The Elements of Elements, 2010 (10'), for violin, cello, and double bass
Clearing, Dawn, Dance, 2010 (10'), for flute, clarinet, trumpet, violin, viola, and cello
Be There, 2008 (6'), violin and piano
At the end of a really great day, 2008 (14'), for flute, clarinet, violin, and cello
A Moment of Clarity, 2007 (6'), for flute and piano
Four on the Floor, 2006 (11'), for string quartet
The Night Gatherers, 2004 (14'), for viola and string quartet
Sonata for Cello and Piano, 2003-2004 (22')
I Oscillate, 2003 (9'), for flute and marimba
Summer Dances, 2003 (12'), for clarinet, viola, and double bass
Grosse Tugenden, 2003 (17'), for violin, viola, and cello
Le Tombeau de Ravel, 1999-2002 (35'), for violin, cello, and piano
Octet 1979, 2011 (9'), for string quartet with 4 vintage synthesizers or electronic track
Duo 1979, 2009 (4'), for viola and moog prodigy
What They Don't Like (for Chuck D), 2007 (6'), for bass clarinet, violin, cello, electric guitar, keyboard, drums, and sampler
Elastic Iridescence, 2006 (13'), for electric guitar quartet
Untitled (finding something special), 2004 (4'), for two violins and cello
Crossing the Rio Grande, 2004 (5'), for bassoon, two violins, cello, and double bass
Ill, 2002 (7'), for two violins, marimba, and drum kit
Prismaticism, 1999-2001 (5'), for flute, clarinet, bass clarinet, marimba, and celesta
for large ensemble (1.1.1.1 – 2.1.1.0 – 2 perc., piano – strings)
Sic Transit is my ballet score for last year’s inaugural Ballet Sun Valley festival, dreamt-of and directed by the unstoppable Isabella Boylston and choreographed by the very gifted choreographer, Gemma Bond, with set … Read More >
Flute Concerto, 2017 (15'), for solo flute and chamber orchestra
My City, 2015 (47'), for solo voice, mixed choir, and orchestra
Starstuff, 2013 (15'), for orchestra
Acadia, 2011 (35'), for orchestra
Four on the Floor, 2006, trans. 2009 (11'), for string orchestra
Vayomer Shlomo, 2009 (24'), for two sopranos, mezzo-soprano, and medium ensemble
Get Up/Get Down, 2006 (15'), for large ensemble
Today and Everyday, 2004 (7'), for orchestra
Beating, 2002-2003 (22'), for flute, clarinet, bass clarinet, vibraphone, marimba, celesta, violin, viola, and cello
Chikasky, 2003 (9'), for orchestra
After the Revolution: a sonata for orchestra, 2001 (17'), for orchestra
Celestial Episode, 1999 (9'), for orchestra
Nothing New, 2015 (5')
Hamakom, 2010 (8'), for SATB choir
A E I O U, 2009 (6'), for 8 voices SATB
Montmartre, 2009 (6'), for 8 voices SATB
Run Away, 2009 (5'), for 8 voices SATB
Lamenting, 2007 (21'), for SSATB choir
Let Her Be, 2003 (5'), for SATB soloists and small SATB choir
Amergin, 2002 (8'), for SSATB choir
In Teaching Others We Teach Ourselves, 2012 (8′), for viola solo
First Ballade, 2008 (8'), for piano solo
Corrupted, 2006 (7'), for solo voice and cello
Escape, 2004 (13'), for viola solo
Boulez Is Alive, 2006 (7'), for piano solo
We Shall Be Turned, 2006 (12'), for percussion solo
And Explode Into Space, 2004 (2'), for piano solo
Canzon XVII, after Gabrieli, 2003-2004 (7'), for trombone and electronic delay
The Sirens, 2004 (9'), for solo bass clarinet or baritone saxophone
Hillula, 2007/2008 (15'), for soprano and piano
Song for the Rainy Season, 2000 (14'), for high baritone and piano
In Teaching Others We Teach Ourselves, 2012 (8′), for viola solo
Untitled (finding something special), 2004 (4'), for two violins and cello
Crossing the Rio Grande, 2004 (5'), for bassoon, two violins, cello, and double bass